Cast & crewUser reviewsTrivia20112011RR1h 52mKevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. But Kevin is just getting started, and his final act will be be... Read allKevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone production, box office & company info488User reviews409Critic reviews68MetascoreSee more at IMDbProVideos5Photos186More like Cupid's ArrowGreetings again from the darkness. The Brady Bunch, this isn't. It's also not the place to look for helpful parenting tips. In fact, the story revolves around Eva, a woman Tilda Swinton who apparently didn't want to have a child ... at least not at this time, and certainly not THIS child. If you have seen The Omen, you probably gave thanks that you didn't have a child like Damien. At least we knew Damien was the spawn of Satan. Eva's son Kevin, is instead a good old fashioned psychopath. One who has an inherent need to cause pain and misery for his a pair Eva and Kevin make. From day one, Kevin seems to sense his mother's lack of joy in parenthood. And he seems to have a genetic disposition of making her pay. As with many psychopaths, his above average intelligence makes him even more dangerous. He is tricky enough to keep his dad John C Riley clueless as to his nature, while causing much doubt in the dad's mind as to the stability of his favorite part is actually how director Lynne Ramsay structured the storytelling. It goes beyond non-linear and actually bounces throughout three key periods Kevin as a baby/toddler, Kevin as a 6-8 year old Jason Newell, and Kevin as a teenager Ezra Miller. Each age is progressively more frightening and disenchanting, and the film begins with what is an undetermined catastrophe. This event is slowly revealed over the course of the movie, though we witness events leading up to it, as well as the resulting are a few scenes where Eva is scrubbing the exterior of her house in an attempt to remove the red paint that was purposefully splattered. As a viewer, we understand that she has blood on her hands and she seems resigned to the fact that she is now a social outcast, even a pariah. We spend much of the movie in Eva's jumbled thoughts as she tries to piece together what has happened and why. Of course, there is no answer. The title explains what was missing all along. There was no communication and no willingness to confront the problem ... a psychopathic son. To say they all paid the price is an film has a very limited audience, though my claim is that Ms. Swinton was quite deserving of an Oscar nomination. She wears defeat like a mask and lives in isolation better than most could. Even the music is offbeat and unusual in its use ... thanks to Radiohead's Jonny Greenwood. As filmmaking, this is high art. As storytelling, it's a bit muddled and quite a 4, 2012FAQ4Related newsContribute to this pageSuggest an edit or add missing contentWhat is the Hindi language plot outline for We Need to Talk About Kevin 2011?AnswerMore to exploreBack to topRecently viewedYou have no recently viewed pages
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Synopsis Eva a mis sa vie professionnelle et ses ambitions personnelles entre parenthĂšses pour donner naissance Ă Kevin. La communication entre mĂšre et fils sâavĂšre dâemblĂ©e trĂšs compliquĂ©e. A lâaube de ses 16 ans, il commet lâirrĂ©parable. Eva sâinterroge alors sur sa responsabilitĂ©. En se remĂ©morant les Ă©tapes de sa vie avant et avec Kevin, elle tente de comprendre ce quâelle aurait pu ou peut-ĂȘtre dĂ» faire. Offres VOD de We Need to Talk About Kevin Toutes les sĂ©ances de We Need to Talk About Kevin Critiques de We Need to Talk About Kevin Rarement figure de l'enfant monstre, rĂ©currente au cinĂ©ma, n'aura Ă©tĂ© aussi troublante que sous l'objectif de Lynne Ramsay. Entre drame intime et thriller, We Need To Talk About Kevin sonde avec beaucoup d'intelligence la culpabilitĂ© d'une mĂšre face Ă son fils criminel et le cauchemar d'une relation filiale viciĂ©e dĂšs l'origine. Entre les mains de la reÌalisatrice de Ratcatcher et du Voyage de Morvern Callar, il est devenu une Ćuvre purement cineÌmatographique qui deÌlaisse la psychologie au profit dâun collage visuel et sonore, maelstroÌm meÌmoriel entrechoquant diffeÌrentes temporaliteÌs et excluant autant que possible le dialogue. Si certains seront rebuteÌs par le symbolisme appuyeÌ de la mise en sceÌne notamment lâemploi de la couleur rouge comme motif central, les autres se verront pris aÌ la gorge deÌs lâouverture du film, qui juxtapose des instants-cleÌs comme autant de secousses eÌmotionnelles, rythmeÌs par une extraordinaire utilisation des effets sonores. PasseÌ cette premieÌre demi-heure radicale, la construction se stabilise afin de former un reÌcit centreÌ sur la guerre quotidienne que se livrent Eva et Kevin. Rejeton diabolique ou produit ravageÌ dâune meÌre incapable de lâaimer, Kevin reste une eÌnigme que le film se refuse aÌ eÌlucider ce qui ne lâempeÌche pas dâeÌvoquer, avec un humour mordant, le cineÌma dâhorreur tendance La MaleÌdiction. Ce mysteÌre est dâautant plus deÌrangeant que, peu aÌ peu, une troublante similariteÌ se dessine entre meÌre et fils, de leur asociabiliteÌ reÌfrigeÌrante aÌ leurs allures dâoiseaux de proie deÌgingandeÌs. DerniĂšres News sur We Need to Talk About Kevin Casting de We Need to Talk About Kevin
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